Ferried away from fighting in Syria

Ferried away from fighting in Syria

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As battles raged in the Syrian settlement of Azmarin and other surrounding villages, scores of civilians, many of them women with screaming children clinging to their necks, fled to Turkey across the narrow Orontes river.

. HATAY, Turkey. REUTERS/Osman Orsal

Heavy clashes had been taking place between Syrian government forces and rebels, with the Syrian army shelling Azmarin, sending plumes of dust and smoke rising above the town.

. HATAY, Turkey. REUTERS/Osman Orsal

As the fighting intensified throughout the morning, villagers, some of them wounded, were starting to flee across the Orontes river. Residents from the Turkish village of Hacipasa helped pull them across in small metal boats.

. HATAY, Turkey. REUTERS/Osman Orsal

Doctors and volunteers set up makeshift first aid points on both sides of the frontier. A Turkish ambulance and several minibuses and cars waited to take the more seriously wounded to the city of Antakya or to district hospitals.

. HATAY, Turkey. REUTERS/Osman Orsal

The body of Ahmed Youssef, who had been brought to Turkey for medical treatment and had died in hospital in Hatay, lay on a road in a body bag. His friends and relatives decided to take his body across the Orontes River back to Syria.

. HATAY, Turkey. REUTERS/Osman Orsal

Syrian tanks, visible from the Turkish village of Saribuk along the Turkish-Syrian border, drove towards the town of Darkush in northern Syria, where heavy clashes continued between rebel fighters and government troops.

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Slideshow

A wounded Syrian man is carried onto a boat to cross over the Orontes river into Turkey.
. HATAY, Turkey. REUTERS/Osman Orsal

A wounded Syrian man is carried onto a boat to cross over the Orontes river into Turkey.

Whole families crossed the river, fleeing the fighting in Syria.
. HATAY, Turkey. REUTERS/Osman Orsal

Whole families crossed the river, fleeing the fighting in Syria.

Doctors and volunteers were waiting to help on both sides of the frontier.
. HATAY, Turkey. REUTERS/Osman Orsal

Doctors and volunteers were waiting to help on both sides of the frontier.

Many children were among those who fled the fighting.
. HATAY, Turkey. REUTERS/Osman Orsal

Many children were among those who fled the fighting.

Villagers from Hacipasa came down to the bank to help ferry people away.
. HATAY, Turkey. REUTERS/Osman Orsal

Villagers from Hacipasa came down to the bank to help ferry people away.

A Syrian baby boy was carried out of the boat.
. HATAY, Turkey. REUTERS/Osman Orsal

A Syrian baby boy was carried out of the boat.

Residents from Hacipasa helped pull the fleeing Syrians across.
. HATAY, Turkey. REUTERS/Osman Orsal

Residents from Hacipasa helped pull the fleeing Syrians across.

A wounded Syrian man was carried to an ambulance after crossing the river.
. HATAY, Turkey. REUTERS/Osman Orsal

A wounded Syrian man was carried to an ambulance after crossing the river.

"It was only afterwards as I went through the pictures that it began to affect me."
Osman Orsal, Reuters Photographer

It was early on Wednesday morning when I arrived at Hacipasa, a village just across the border from Syria in Turkey’s southern Hatay province. Set among rolling hills lined with olive trees, the village sits right across from the Syrian town of Azmarin, where heavy clashes had been taking place between Syrian government forces and rebels. The army had been shelling Azmarin and I was taking pictures of the shells landing in and around the town, sending up plumes of dust and smoke.

As the fighting intensified throughout the morning, villagers from Hacipasa told me Syrians were starting to flee across the Orontes river in the valley below me, some of them wounded. The river forms a natural frontier between Turkey and Syria along this part of the border.

Grabbing my cameras, I jumped into the car with a Reuters reporter and drove quickly down the narrow dirt road to the river to where the refugees were. As we neared the river the sound of shelling became louder and louder. We could not drive our car right up to the river as villagers from Hacipasa had already moved dozens of cars and minibuses down the narrow track to help ferry the people away.

I jumped out of the car and a young man with a motorcycle came riding up and told me to jump on the back. So I slung both cameras around my neck and jumped on as he took me to the river crossing. The river at this point is very narrow, no more than 15 meters wide, and is secluded by low-hanging trees.

On one side is Turkey and on the other, Syria. I could see rebel fighters on the other side carrying small children down to the bank, followed by others, mostly women. The rebels had strung two ropes across the river and were using them to pull two small metal boats back and forth to carry the fleeing people.

On the Turkish side they had set up a basic first aid point with bandages and stretchers to treat the wounded. I ran straight down to the edge of the river where villagers were pulling the boats across and I began photographing the people. Streams of people were emerging out of the trees on the other side, some of the children clinging to their mothers. Rebels carried other children in their arms to the waiting boats.

While I was documenting the scene, four wounded men, either rebel fighters in combat or civilians hit by shrapnel, were carried across. I kept on photographing as more and more people came across, making sure to change my memory cards every few minutes in case the military arrived and tried to confiscate my cameras. If they took the camera I knew at least I’d have the others safe in my pocket and would be able to get the pictures out. The whole time I was shooting I could hear the deafening sound of the shells landing only a couple kilometers away, a reminder of how close I was to the fighting.

As I was looking through the lens all I could think about was capturing the picture – the scene wasn’t really affecting me. It was only afterwards as I went through the pictures that it began to affect me. I have a 7-year-old son back at home in Istanbul and seeing these children, many even younger than him, crying and scared, not knowing what was going on, just made me think of him and that’s when the awful content of the picture really hit me.

What also got to me was that every time I take pictures of children, even under such awful circumstances, there is always one child who starts smiling when he sees the camera.